“It’s really amazing. I couldn’t act. I had that terrible singing voice, and now I can see I wasn’t the greatest tap dancer in the world, either.” –Ruby Keeler
When thinking of early musicals, the output of Warner Bros. Studios is certainly worth noting. In the Gold Digger musicals and so many others, a wide variety of Warner Bros.’s triple-threat talents shone in the musical genre. Though Keeler was not considered a strong singer, she was an exceptionally gifted dancer and charmed audiences with her many film roles.
Ethel Ruby Keeler was born in Dartmouth, Nova Scotia, Canada, on August 25, 1909. Her family was of Irish-Catholic descent, with her father working as a truck driver to support the family. Keeler was one of six children, with the family living on East 70th St. in Manhattan. Though born in Canada, Keeler and her family would relocate to New York City, where her father would earn higher pay.
While growing up, finances were a constant issue for the Keeler family. Though Keeler expressed an interest in dancing, it was not financially plausible for the family.
Keeler studied at St. Catherine of Siena while residing in New York. In addition to the academic curriculum, the school also had a dance teacher on staff to teach the students dance once a week. The instructor noticed Keeler’s affinity for dance and met with Keeler’s mother to arrange for regular dance lessons. They worked out an agreement that would not put the Keeler family’s finances in a worse situation, and Keeler was able to receive training.
As Keeler continued her classes, opportunity struck when a stage production was seeking chorus girls. Though Keeler was three years under the legal age of 16, she lied about her age and auditioned anyway. Keeler typically danced in the buck dancing style, focusing on heaving taps and little to no movement of the arms. Keeler would be hired to dance at nightclubs and speakeasies, including El Fay nightclub in New York. Soon, she would be performing in Broadway productions produced by the likes of George M. Cohan and Florenz Ziegfeld.
In 1928, Keeler met performer Al Jolson in Los Angeles, where she was sent to assist in the publicity campaigns for The Jazz Singer (1927). After a whirlwind courtship, the two married in New York.
In the 1930s, Keeler would regularly work in films. Producer Darryl Zanuck cast Keeler in 42nd Street (1933) alongside Dick Powell and Bebe Daniels, which was a huge success in addition to being her film debut. Warner Bros. signed Keeler to a long-term contract and starred her steadily in many musicals, typically continuing to cast Powell as her love interest. Though Powell was usually Keeler’s on-screen suitor, Jolson and Keeler did star together in one film: Go into Your Dance (1935).
Sadly, Keeler’s marriage to Jolson was not a happy one. Though they were initially happy and went on to adopt a son, there are many anecdotes and resources documenting Jolson’s abusive behavior towards Keeler. They divorced in 1940.
By 1941, Keeler met and married businessman John Homer Lowe, leaving the film industry. The couple had four children and remained married until Lowe’s passing.
Keeler devoted herself to family life upon her second marriage and did not have any screen credits for just over 20 years. In the 1960s and 1970s, she made occasional television appearances. In 1971, her popularity was revived alongside the revival of No, No, Nannette on Broadway. The production was supervised by Busby Berkeley, with whom she worked in 42nd Street and many other musicals. Keeler starred in the musical for two seasons on Broadway and in as part of the show’s tour.
In 1974, she suffered a brain aneurism and dedicated herself to work as a spokesperson for the National Stroke Association. She passed away from kidney cancer on February 28, 1993, at age 83. Keeler was buried beside her husband at Holy Sepulcher Cemetery in Orange, California.
Today, some of Keeler’s past residences remain, in addition to her family continuing to celebrate her legacy.
In 1928, Keeler and Jolson lived at 465 Park Ave. in New York. This is the building today:
The home she shared with Jolson in the 1930s was within the Talmadge Apartments, which still stand. They are located on 3278 Wilshire Blvd. in Los Angeles.
Another home she shared with Jolson was at 4875 Louise Ave. in Encino, California. This is the home at present:
By 1940, she was living at 4326 Forman Ave. in Los Angeles. This is the home today:
Keeler was honored with a Golden Palm Star on the Palm Springs, California, walk of fame.
Keeler also has a star on the Hollywood Walk of Fame. It is located at 6730 Hollywood Blvd. in Los Angeles.
In 2005, Keeler’s granddaughter, Sarah Lowe, performed Keeler’s dance as a duet with her grandmother’s film footage from the title number in 42nd Street (1933) as part of the L.A. STAGE Benefit.
Today, Keeler is remembered for her many musical film roles and her enthusiastic dancing style that was featured in many Warner Bros. Pre Code musicals.
This post originally appeared in the Annette’s Classic Movie Travels column for Classic Movie Hub. View the original article here.
Wonderful article, Annette! This one especially meant a lot to me as Miss Keeler was my introduction to Broadway … I started watching the Busby Berkeley musicals on TV at age 7 (go figure!), so for my 8th birthday my mother took me to see my first Broadway show, “No, No, Nanette” — which made me even more of a Ruby Keeler fan, which I remain to this day!
Thanks for your Ruby Kerler article. You missed her famous house where she lived with Jolson for sometime. Many pics are availabe online. The address was 4875 Louise Ave, Encino CA. It has been rennovated but still stands today.
Thank you! I will add it in.
You’re welcome. Keep up the great work!!
Thank you for introducing me to a talented star like Ruby! I’ve never seen her films, but I’ll be on the lookout if they ever cross my path! By the way, I nominated you for the Blogger Recognition Award! Here’s the link:
Ruby Keeler is a wonderful Hollywood golden age actress, who is sort of underrated by many today, even among those who like some of the other big names of the golden age such as Fred and Ginger, Clark Gable, Gene Kelly, Jean Harlow, Esther Williams, Judy Garland, and Ruby’s hubby til 1941 Al Jolson. I love them all too. But Ruby was also a shining star of the era, and was more than just Jolson’s wife. In spite of some opinions, she had a nice voice, and was a great dancer throughout 42nd street, Footlight parade, Dames, and numerous others. She was also quite impressive in her comeback No no Nanette. I love Ruby
I meantioned that Ruby IS a great Hollywood Golden age actress on purpose because her spirit is still alive