Ray Bolger


“I became a dancer in self-defense. I was doing a comedy monologue and didn’t know how else to get off, so I danced off. I’ve been dancing ever since, but I’m still a comedian.” –Ray Bolger

For nearly a century, audiences all over the world have fallen in love with Ray Bolger’s portrayal of the Scarecrow in The Wizard of Oz (1939). Beyond this iconic role, Bolger had a strong career in films and onstage, excelling as a dancer. With the ability to effortlessly glide about the room, it’s no wonder he perfectly captured the spirit of an amusing Scarecrow.

Raymond Wallace Bolger was born on January 10, 1904, in Dorchester, Massachusetts, to James and Anne Bolger. His father and grandfather were painters. Bolger also had a sister named Regina.

Bolger attended vaudeville performances as a child and was soon inspired to perform. His entertainment career started as part of the “Sanford and Bolger” dance team. By 1926, he performed at New York City’s Palace Theatre, which was the top vaudeville theater in the U.S. His ability to improvise dances allowed him to execute many lead roles on Broadway throughout the 1930s, such as roles in Life Begins at 8:40 (1934) and On Your Toes (1936).

As his popularity grew, he married Gwendolyn Rickard and the couple spent their honeymoon in Europe. Following the trip, he expanded his career to film, television, and nightclub work.

In 1932, Bolger was among the group of entertainers who opened Manhattan’s Radio City Music Hall. In the same year, he was elected to The Lambs Theatre Club. When Bolger signed his first film contract with MGM, it was to appear as himself in The Great Ziegfeld (1936). He also appeared in Rosalie (1937) with Eleanor Powell and in Sweethearts (1938), alongside Nelson Eddy and Jeanette MacDonald. Sweethearts would be the first MGM film shot in Technicolor.

As was typically the case for contract actors, Bolger’s contract stipulated that he would perform any acting role assigned to him by the studio. Originally, he was cast as the Tin Man in The Wizard of Oz (1939), while Buddy Ebsen was given the part of the Scarecrow. As production continued, the roles were recast, leading Bolger to fulfill the role of the Scarecrow.

After Bolger’s work in The Wizard of Oz, his contract with MGM ended, prompting him to move to RKO. In 1941, he was a featured act at the Paramount Theatre in New York, performing tap dance routines as part of a faux challenge against the Harry James Band’s pianist, Al Lerner. Following the attack on Pearl Harbor, Bolger toured with many USO shows throughout the Pacific and was also featured in the wartime film, Stage Door Canteen (1943).

In 1943, Bolger returned to MGM to take on a featured role in The Harvey Girls (1946), which reunited him with his Oz co-star, Judy Garland. In the same year, he recorded a children’s album called The Churkendoose, which told the story of a bird that was part chicken, turkey, duck, and goose. He continued his stage career with All American (1962) and Where’s Charley? (1948), with Where’s Charley? garnering him the Tony Award for Best Performance by a Leading Actor in a Musical. He also introduced the song “Once in Love with Amy” in the musical, reprising his stage role in the 1952 film version.

Bolger’s television career included working in a sitcom called Where’s Raymond? which was later renamed The Ray Bolger Show. In addition to working on his own show, he would make many guest appearances on other television shows, including The Jean Arthur Show, Fantasy Island, Little House on the Prairie, and as Shirley Partridge’s father on The Partridge Family, among others. He also acted in several television commercials.

In 1985, he and Garland’s daughter, Liza Minnelli, both appeared in That’s Dancing! (1985), written by Jack Haley, Jr., son of Jack Haley, who ultimately portrayed the Tin Man in The Wizard of Oz.

Bolger died from bladder cancer on January 15, 1987, and is interred at Holy Cross Cemetery in Culver City. At age 83, he was the last surviving main credited cast member of The Wizard of Oz. Whenever asked whether he received any residuals from television broadcasts of the film, he would reply, “No, just immortality. I’ll settle for that.”

On the East coast, there are quite a few locations in existence that would have been of relevance to Bolger.

In 1910, the Bolger family resided at 8 Willowwood Street in Boston. This is the property today.

8 willowwood st.PNG

By 1920, the family moved East to 46 Wethington Street in Boston. This is the home at present.

46 wethington st.PNG

On his return trip from his honeymoon in Europe, Bolger listed his address as 1560 Broadway in New York. This is what the location looks like today.

1560 broadway ny.PNG

In 1930, Bolger and his wife were living in Manhattan at 41-47 W. 72 Street. This is the property today.

4147 w 72 st manhattan.PNG

In 1940, Bolger resided at the Hampshire House, which opened in 1937 as a rental building, located at 150 Central Park South. It currently stands today as a residential co-op.

Bolger and his wife also resided in Los Angeles at 513 N Martel Avenue. This is the location today.

513 martel.PNG

In addition, Bolger donated his papers to UCLA’s archive. The collection is comprised of script material, contracts, clippings, correspondence, photographs, music, and other ephemera relating to his career. UCLA’s Charles E. Young Research Library is located at 280 Charles E. Young Dr., Los Angeles, California.

Moreover, Oz fans will be glad to know that Bolger’s Scarecrow costume lives on at the Smithsonian National Museum of American History, along with one pair of Dorothy’s ruby slippers. It is located at 1300 Constitution Ave. NW, Washington, D.C.

Bolger has two stars on the Hollywood Walk of Fame for his work in motion pictures at 6788 Hollywood Blvd. and for television at 6834 Hollywood Blvd., Los Angeles, California.

Bolger has a star on the Palm Springs Walk of Fame at 132 S. Palm Canyon Dr., Palm Springs, California.

Holy Cross Cemetery is located at 5835 W. Slauson Ave., Culver City, California.

Despite Bolger’s passing, his legacy lives on in so many ways as he continues to delight audiences through his most memorable portrayal.

This post originally appeared in the Annette’s Classic Movie Travels column for Classic Movie Hub. View the original article here.


About Annette Bochenek

Dr. Annette Bochenek of Chicago, Illinois, is an avid scholar of Hollywood’s Golden Age. She manages the Hometowns to Hollywood blog, in which she writes about her trips exploring the legacies and hometowns of Golden Age stars. Annette also hosts the “Hometowns to Hollywood” film series throughout the Chicago area. She has been featured on Turner Classic Movies and is the president of TCM Backlot’s Chicago chapter. In addition to writing for TCM Backlot, she also writes for Classic Movie Hub, Silent Film Quarterly, Nostalgia Digest, and Chicago Art Deco Society Magazine.
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